The Florilegia Project #1: Autumn Equinox
This poem, title and all, is collected from the last 6 weeks of sparkling phrases. (If you’re reading this thinking “what is a sparkling phrase?” detour over here to The Florilegia Project for a little background.) Every word is someone else’s; only the order, punctuation, and line breaks are my own. (Ok, one line is also my own.)
Kinship Demands Reciprocity
We didn’t know what we were seeing, and so
saw less. An archipelago of half-sunken dictionaries,
the shape of things gone missing.
The source, equally, of our grief and our delight.
It’s a vessel. It will hold us–the husks of fate,
and fiercer desires, the sinuous absence of water–
in thunder, or another of its tongues.
To exit the trajectory of productive time,
dark-souled and supremely efficient,
try to praise the mutilated world.
Patterns of attention are how we render reality:
the act of pure listening, without burden of understanding.
To be quiet, even wordless, in a good place is a better gift
than poetry, so that your soul goes soaring
and never quite settles all day.
The shimmer of gods is easier to perceive
at sunrise or dusk–unruly, indescribable detail.
Your eyesight will fail you; this is not a human hour.
Let’s step outside, and I can direct you with more gusto.
The moment it becomes a subversive activity–wait.
The work will come. It will take you
into yourself, and bless you, and keep you.
There is sorrow in the light at this hour,
outside, where the only news comes
as fresh air folding over the houses.
Weather is our one true leader, sliding smoothly along
observational ruts. (I said aloud “good light,” as if it were dog.)
Landscape that lacks vocabulary cannot be seen.
Whole families vanished into rain.
You have got to find out what your name is.
Yesterday I got a call from the outside world.
But I said no, in thunder,
to disappear into the hills and tarns
and miss my way home as long as possible.
Where are we fixed on the earth’s lissome curve?
Where you’d want to come from if
you knew who you really were.
Stripped down to God, baptism is wonderfully pagan.
Not preachy-holy but instinct-holy:
the unwritten places, the blue of deep deep time.
Endless ocean, always deeper than all of our needs.
It is all enough to make one cry, and being one, I do.
What did you think,
that joy was some slight thing?
It reassures me that no one knows the answer.
Are you waiting for time to show you some better thoughts?
Longing, we say, because desire is full of endless distances.
Fear of subjects about which little is written,
routine fits of absence of mind.
There is no remedy,
so go ahead
and stay crazy.
To witness the ten thousand worlds, to tell your story,
you sang a map. I live here, and it is the right place.
On some nights, your rest is as deep as blood.
Stars the scattered white teeth of the gods
which spare none of us.
Sources
Every one of these is enthusiastically recommended. Especially the first.
A friend, in conversation
A Better Animal (essay)
Talley V. Kayser
Ask Me (poems)
William Stafford
- For My Young Friends Who Are Afraid
- You Reading This, Be Ready
Baptized and Set Free (hymn)
Text and music by Cathy Skogen-Soldner
Earth Again (poems)
Chris Dombrowksi
- Blown Snow
- My Recently Implanted Gov’t Eco-Guilt Chip
- Possible Psalm
Here, Poems for the Planet (…poems)
ed. Elizabeth J. Coleman
- First Verse
Tim Seibles - Inland
Mark Tredinnick - Meditation at Lagunitas
Robert Hass - The Path to the Milky Way Leads Through Los Angeles
Joy Harjo - Try to Praise the Mutilated World
Adam Zagajewski, translated from Polish by Clare Cavanagh - Visitation
Mark Doty
How to Do Nothing (nonfiction)
Jenny Odell
How to Look for Owls: On Writing, Ritual, and Intuition (essay)
Tara K. Shepersky
Homestead (poem)
Ryler Dustin
In Search of Small Gods (poems)
Jim Harrison
- Age Sixty-Nine
- Barking
On Discipline (essay)
Carey Wallace
Outside Lies Magic (nonfiction)
John Stilgoe
Pictograph: Avalanche Mouth (poem)
Melissa Kwasny
Shallow-Water Dictionary (nonfiction)
John Stilgoe
The Anthropology of Turquoise (nonfiction)
Ellen Meloy
The Seabird’s Cry (nonfiction)
Adam Nicolson
The Shape of Things Gone Missing (music album)
Martha Scanlan
The Sound of the Genuine (address)
Howard Thurman
Waterlog (nonfiction)
Roger Deakin
21st Century Yokel (nonfiction)
Tom Cox
Oh my goodness. This is amazing. Thank you for creating this project and creating new insight out of its insights.
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Hi Tara, Tried posting this comment on your website, but I’m having some issues with logging in (two emails, two wordpress accounts (one old), forgotten passwords, etc), so I’m just replying to the email.
Thank you. I’ve recently deleted facebook and am pulling back from twitter and have been dealing with some health issues that really constrain my energy, so I’m being very picky about where my attention goes. I’m so glad to have been following the Florilegia Project and this poem has come to me at the right time today. I’m not sure why, but I’m weeping reading this poem. Very visceral. Thank you for the beautiful words.
Amber
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Hi Amber,
I’m so deeply pleased to hear that this poem was there for you today. I think this is what any poem wants most: to be where it’s needed, in a particular person’s heart at a difficult, or beautiful, or otherwise particular time.
Thanks very much indeed for following along with the project, and for getting in touch. I most definitely understand the need to be careful about placing attention, and I’m honored that my quiet little project is one of your chosen foci.
Cheering you on and wishing you peace and energy and beautiful words,
Tara
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P.S. It looks like replying direct to the email worked out great!
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Post-Postscript!
Since the words of this poem were in fact created by 20+ humans, including myself as only a very small part, and since quite a number of those 20+ are poets, I think you can imagine ALL of us blessing this poem’s finding of you, the person who needed it today.
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Thanks, Tara. I’ve been thinking a lot lately about words being where they are needed, for others, for me, and about how my words might get to where they are needed…
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